How I Write: Starting a New WIP

by ** Tatiana Caldwell ** on July.7.2010

This is the fourth installment in the “HOW I WRITE” series I’m participating in every Wednesday with several writers, where we all discuss how we approach writing a book. Every writer has a different process and this project gives us a chance to share and compare ours. Click on the “How I Write” image to find a list of the participating writers and links to their blogs.

Last week we talked about Research. This week’s topic is Starting a New W.I.P. (Work-in-Progress, what we writers like to call a story, novella, novel, article or non-fiction book that we are currently working on) .

The hardest part about starting a new book – to me, anyways – is deciding which story to write next. It’s a fine balancing act between applying some sort of rhyme and reason (trying to time the market, reacting to something specific a certain editor or agent is looking for) and going with your gut (which idea sparks the most passion in you right now?).

Once I’ve selected the project to dive into, I tend to follow these eight preparation steps:

  1. Write the plot summary. This is a one-paragraph description of the book, which describes the who, what, why and conflict. This is the trick I use to try to determine whether or not my idea has the potential to be marketable BEFORE I begin writing it. I believe that if I can’t describe my book/story in a few clear, powerful sentences, then I need to rework the plot idea until I can. Because if  *I* can’t easily “sell” my story idea, then neither will an agent, editor or publisher.
  2. Brainstorm themes. Why do I want to write this story? What themes, concepts, feelings or lessons do I want to convey through this tale? What is the point?
  3. Determine the genres. I think it’s important to know what genre(s) and sub-genres the story will be upfront. Knowing my story’s themes and genre helps me generate the proper mood and tone for this work.
  4. Create the characters. This is where I give identities to the people who will populate my world, and fill in my character sheets.
  5. Take world-building notes, if applicable. For a refresher on how I do world-building and develop characters and plots, go back to my second installment of this series.
  6. Outline or Storyboard. I’m a big-time plotter, and my outline is more like a storyboard of sorts: I write out a description of all of my scenes and have them side-by-side. Some writers use index cards, or special writing software to do this. But not me – I have a Storyboard spreadsheet (yes, another one) I created to lay out all of the scenes my story will include. I capture the date/time and location the scenes happen, and whose perspective they are in. I also have it so I can plot the growth of my characters. If details or story prose jump out at me at this stage I go ahead and jot it down under the scene in which it belongs. Because I tend to change my mind about scenes or entire chapters once I actually start writing or get to revising, a storyboard is never “final” until my book is. But it is essential as a guide for me to stay on track once I start writing. I have an example of my Storyboard Template in my Freebies section.
  7. Determine the potential markets. Now that I know the plot, tone and mood, genres, and have an idea how long the story will be based on the number of scenes I have created in my Storyboard, I can determine the potential agent and/or publisher markets I can submit this story to when I’m done. Why is this important, you may ask? Because I may write a book intended for, say, a Harlequin category a bit differently than I would a book I was writing for an erotic ePublisher.
  8. Conduct any necessary major research, which we talked all about in last week’s installment.

Not until I’ve completed or at least attempted to complete these steps do I consider myself prepared to begin the first draft, which is next week’s topic.

Don’t forget to visit other participating blogs to see how other writers prepare when starting a new book!

{ 11 comments… read them below or add one }

Isabelle Flynn November 29, 1999 at 6:00 pm

Thank you for sharing your steps, Tatiana. I loved reading how you attack each new project. I need to give more thought into the market research end of things.

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** Tatiana Caldwell November 29, 1999 at 6:00 pm

It's something I've only recently realized may be more efficient to consider BEFORE I start writing the book until after I've written and am trying to decide who to send it to …

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Tina Lee November 29, 1999 at 6:00 pm

I love thinking of the outline as the story board. It makes it very visual o me and I think that always helps. (I guess Ansha just said that too!) And I think thinking about markets make sense too. Having an idea about audience I think is huge! Cool!

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** Tatiana Caldwell November 29, 1999 at 6:00 pm

Yes, I love it being visual. And also digital, so I can easily make changes and don't have the mess of index cards.

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Ansha Kotyk November 29, 1999 at 6:00 pm

As always Tatiana, you have a great post here. I love your steps! Especially the one about the storyboard. I've always wanted to try using one, because I'm very visual and I think it would help me "see" what is going on in my book. I'm def going to check out your freebies section! Thanks!

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** Tatiana Caldwell November 29, 1999 at 6:00 pm

*smiles* Thanks, Ansha

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Laura Pauling November 29, 1999 at 6:00 pm

It's great to know there are other writers that plot as fanatically as I do! Great post.

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** Tatiana Caldwell November 29, 1999 at 6:00 pm

And a plotting fanatic I am.

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Zuleyka Bonilla November 29, 1999 at 6:00 pm

Hey Wanna,

I've been occasionally, quietly reading your blog for a while. This post was especially interesting to me because I've recently been curious about other writers' processes.

I can see how your steps would be invaluable, but as I was reading I had one question: don't you feel that meticulously outlining before doing any actual writing impedes the natural flow of your story? What I mean is, if you have all your scenes and characters planned out ahead of time, how can a character develop a life of its own and grow and react to scenes organically?

I don't have a concrete answer for that, but I wanted to hear your thoughts on it.

-Zuly

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** Tatiana Caldwell November 29, 1999 at 6:00 pm

Hey Zuly! *waves*

For me, it provides the exact opposite effect. When I'm meticulously outlining, I AM allowing the story to flow naturally, from beginning to end, just in condensed format. It doesn't feel forced to me at all. All the outline to me is a short-hand version of the story that would come natural to me anyways even if you skipped the outline. Each scene I outline IS an organic reaction to the one that came before it. Each character growth or setback event is a direct result of the actions that happened before it. Just because I'm summarizing it doesn't have to make it any less organic.

I find that I can more readily capture a more cohesive and consistent story when I just sit there and allow myself to brainstorm the entire thing from beginning to end in as little time as possible, and writing it in outline form makes that achievable. The first full-length novel that I wrote, I wrote without any outline, and it took me years to find, lose, forget, revisit and rediscover the "natural flow" over and over again, with me stuck many times along the way when I fell out of the story's "groove". For me an outline is like a cheat-sheet – created when I was deep and strong in the groove of that story.

But that's just how it works for me. There is no concrete answer because there is no right or wrong way to write a story – just a way that it works for you.

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Zuleyka Bonilla November 29, 1999 at 6:00 pm

"For me an outline is like a cheat-sheet – created when I was deep and strong in the groove of that story. "

That is an excellent answer and it makes a lot of sense! I know exactly what you mean about falling out of the groove. Thanks for the reply.

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